Garrett Camp
Fight The Power (Full Version) - Public EnemyFight the Power From Wikipedia, the free encyclopedia "Fight the Power" is a 1989 song by hip hop group Public Enemy. First released on the soundtrack for the film Do the Right Thing (Rosie Perez dances to the song over the opening credits), an edited version was released in 1990 on Public Enemy's third album, Fear of a Black Planet. The song has largely served as the political statement of purpose for the group, and is their biggest single. "Fight the Power" was recently ranked #1 on VH1's 100 Greatest Songs of Hip Hop, further demonstrating the impact of the song.[1] The single reached #1 on Hot Rap Singles and #20 on the Hot R&B Singles. Another version is featured in the Chuck D Presents: Louder than a Bomb compilation, featuring a saxophone solo by Branford Marsalis. Brian Hardgroove said, "Law enforcement is necessary. As a species we haven't evolved past needing that. Fight the Power is not about fighting authority—it's not that at all. It's about fighting abuse of power. Music videos Spike Lee produced and directed two music videos for this song. The first featured clips of various scenes from Do the Right Thing. In the second video, Lee used hundreds of extras to simulate a massive political rally in Brooklyn. The extras carry signs featuring Paul Robeson, Marcus Garvey, Chuck Berry and Martin Luther King, Jr. Tawana Brawley made a cameo appearance. Brawley gained national notoriety in 1987 when, at the age of 15, she accused several police officers and public officials from Wappingers Falls, New York of raping her. The charge was rejected in court, and she instead was sued for supposedly fabricating her story. Jermaine Dupri also made a cameo. Samples used The song's title and chorus were inspired by—or taken from—"Fight the Power (Part 1 & 2)," a 1975 protest funk song by The Isley Brothers. "Teddy's Jam" by Guy "Bird of Prey" by Uriah Heep "Hot Pants Road" by The J.B.'s (bassline) "Pump Me Up" by Trouble Funk (percussion, vocal: "Pu-pu-pump") "Different Strokes" by Syl Johnson (heard before the 3rd chorus) "I Shot the Sherriff" by Bob Marley "Planet Rock" by Afrika Bambaataa (Vocal: "Yeah!") "I Know You Got Soul" by Bobby Byrd (Vocal: "I know you got soul") "Sing a Simple Song" by Sly & the Family Stone (Singing heard after the line "Bum rush the show") "Whatcha See Is Whatcha Get" by The Dramatics (guitars) "Let's Dance (Make Your Body Move)" by West St. Mob (Vocal: "Come on you got it") "Funky President" by James Brown (Heard after the line "People, people we are the same") The lyrics also include allusions to James Brown's "Funky Drummer" and "Say It Loud -- I'm Black and I'm Proud," as well as Bobby McFerrin's 1988 hit "Don't Worry, Be Happy." The opening quotation, "Yet our best trained, best educated, best equipped, best prepared troops refuse to fight! Matter of fact, it's safe to say that they would rather switch than fight!," was taken from Chicago attorney and civil rights activist, Thomas "TNT" Todd.
Peter Gabriel - Big TimeThe official Big Time video. Directed by Stephen R. Johnson. The fourth single to be taken from Peter's fifth studio album. The album was his first one to have a proper title and So was a watershed release in his career. Its marriage of the artistic and the commercial made for an indisputable success, with the album quickly sitting atop the album charts on both sides of the Atlantic. Aside from some intriguing collaborations – with Laurie Anderson on This Is The Picture, Kate Bush on Don’t Give Up and Youssou N’Dour on In Your Eyes – it was the unity of singer, band and producer that made So such a crucial record in the Gabriel canon. # http://petergabriel.com Hi There! I'm on my way I'm making it I've got to make it show, yeah So much larger than life I'm going to watch it growing The place where I come from Is a small town They think so small They use small words - But not me I'm smarter than that I worked it out I've been stretching my mouth To let those big words come right out I've had enough, I'm getting out To the city, the big big city I'll be a big noise with all the big boys There's so much stuff I will own And I will pray to a big god As I kneel in the big church BIG time I'm on my way I'm making it BIG time, Oh yeah BIG time I've got to make it show, yeah BIG time BIG time so much larger than life BIG time I'm going to watch it growing BIG time My parties have all the big names And I greet them with the widest smile Tell them how my life is one big adventure And always they're amazed When I show them round the house to my bed I had it made like a mountain range With a snow-white pillow for my big fat head And my heaven will be a big heaven And I will walk through the front door BIG time I'm on my way I'm making it BIG time BIG time I've got to make it show, yeah BIG time BIG time so much larger than life BIG time I'm going to watch it growing BIG time BIG time my car is getting BIGGER BIG time my house is getting BIGGER BIG time my eyes are getting BIGGER BIG time and my mouth BIG time my belly is getting BIGGER BIG time and my bank account BIG time look at my circumstance BIG time and the bulge in my BIG, big, big, big, big, big, big, big BIG, big, big, big, big, big, big, big #MusicVideo
Jamiroquai - Virtual Insanity (Official Video)Jamiroquai's official music video for 'Virtual Insanity'. Click to listen to Jamiroquai on Spotify: http://smarturl.it/JamiroquaiSpot?IQid=JamiVI As featured on High Times: Singles 1992 - 2006. Click to buy the track or album via iTunes: http://smarturl.it/JamiroquaiHTiTunes?IQid=JamiVI Google Play:http://smarturl.it/JamiroquaiVIGplay?IQid=JamiVI Amazon: http://smarturl.it/JamiroquaiHTAmazon?IQid=JamiVI Stream more music from Jamiroquai here: http://smarturl.it/JamiroquaiHTStream?IQid=JamiVI More from Jamiroquai You Give Me Something: https://youtu.be/OEcBz6VtyDg Alright: https://youtu.be/9kXiLeBXzG4 Seven Days in Sunny June: https://youtu.be/FRSH-egVyzk More great 90's videos here: http://smarturl.it/Ultimate90?IQid=JamiVI Follow Jamiroquai Website: http://www.jamiroquai.co.uk/ Facebook: https://www.facebook.com/JamiroquaiOfficial Subscribe to Jamiroquai on YouTube: http://smarturl.it/JamiroquaiYTSUB?IQid=JamiVI ---------- Lyrics: Oh yeah,what we're living in (let me tell ya) It's a wonder man can eat at all When things are big that should be small Who can tell what magic spells we'll be doing for us And I'm giving all my love to this world Only to be told I can't see I can't breathe No more will we be And nothing's going to change the way we live Cos' we can always take but never give And now that things are changing for the worse, See,its a crazy world we're living in And I just can't see that half of us immersed in sin Is all we have to give these - Futures made of virtual insanity now Always seem to,be govern'd by this love we have For useless,twisting,our new technology Oh,now there is no sound - for we all live underground #Jamiroquai #VirtualInsanity #Vevo
Peter Gabriel - Sledgehammer (HD version)The official Sledgehammer video in HD. Directed by Stephen R. Johnson, produced by Adam Whittaker. Claymation, pixilation, and stop motion animation provided by Aardman Animations and the Brothers Quay. Sledgehammer was the first single from the multi-platinum selling album So, the first of Peter’s studio albums to have a proper title and a watershed release in his career. Its marriage of the artistic and the commercial made for an indisputable success, with the album quickly sitting atop the album charts on both sides of the Atlantic. You could have a steam train If you'd just lay down your tracks You could have an aeroplane flying If you bring your blue sky back All you do is call me I'll be anything you need You could have a big dipper Going up and down, all around the bends You could have a bumper car, bumping This amusement never ends I want to be - your sledgehammer Why don't you call my name Oh let me be your sledgehammer This will be my testimony Show me round your fruitcage 'Cos I will be your honey bee Open up your fruitcage Where the fruit is as sweet as can be I want to be - your sledgehammer Why don't you call my name You'd better call the sledgehammer Put your mind at rest I'm going to be - the sledgehammer This can be my testimony I'm your sledgehammer Let there be no doubt about it Sledge Sledge Sledgehammer I've kicked the habit, shed my skin This is the new stuff, I go dancing in, we go dancing in Oh won't you show for me and I will show for you Show for me, I will show for you Yeah, yeah, yeah, yeah, yeah, I do mean you, only you You've been coming through Going to build that power Build, build up that power, hey I've been feeding the rhythm I've been feeding the rhythm Going to feel that power build in you Come on, come on, help me do Come on, come on, help me do Yeh, yeh, yeh, yeh, yeh, yeh , yeh, yeh, you I've been feeding the rhythm I've been feeding the rhythm It's what we're doing, doing All day and night So Red Rain Sledgehammer Don't Give Up That Voice Again In Your Eyes Mercy Street Big Time We Do What We're Told (Milgram's 37) This Is The Picture (Excellent Birds) # Like Peter Gabriel on Facebook: http://www.facebook.com/PeterGabriel # Follow Peter Gabriel on Twitter: https://twitter.com/itspetergabriel #MusicVideo
Mahler's 7th Symphony "Song of the Night" (Audio + Score)pf: New York Philharmonic cond/ Leonard Bernstein 0:00 - Langsam – Allegro risoluto, ma non troppo 21:39 - Nachtmusik I 38:46 - Scherzo 49:19 - Nachtmusik II 1:04:06 - Rondo-Finale Gustav Mahler's Seventh Symphony was written in 1904–05, with repeated revisions to the scoring. It is sometimes referred to by the title Song of the Night (German: Lied der Nacht), which Mahler never knew and certainly would never have sanctioned. Although the symphony is often described as being in the key of E minor, its tonal scheme is more complicated. The symphony's first movement moves from B minor (introduction) to E minor, and the work ends with a Rondo-Finale in C major. Thus, as Dika Newlin has pointed out, "in this symphony Mahler returns to the ideal of 'progressive tonality' which he had abandoned in the Sixth". The complexity of the work's tonal scheme was analysed in terms of "interlocking structures" by Graham George. The harmonic and stylistic structure of the piece may be viewed as a depiction of the journey from dusk till dawn.The piece evolves from uncertain and hesitant beginnings to an unequivocal C major finale, with its echoes of Wagner's Die Meistersinger von Nürnberg: indeed, at the premiere the overture to this opera was performed after the symphony. This journey from night to day proceeds via an extraordinary third movement scherzo, marked schattenhaft (shadowy), which may have been what prompted Arnold Schoenberg to become a particular champion of the work. The abundance of themes based upon the interval of a fourth has parallels with the First Chamber Symphony. The piece has several motifs in common with the Sixth Symphony, notably the juxtaposition of major with minor chords, the march figure of the first movement, and the use of cowbells within certain "pastoral" episodes. Mahler conducted the premiere of his Seventh Symphony in Prague in 1908. A few weeks later he conducted it in Munich and the Netherlands. Both the audience and the performers at the premiere were confused by the work, and it was not well received. It remained for a while as one of Mahler's least appreciated works, often accused of incoherence. More recently, scholars and conductors have experimented with a range of interpretations of the work, especially the tempo of the finale, and the work has thrilled more audiences worldwide and has since become more popular. PERSONAL NOTE: This one is a tough nut to crack, and took me a few listens before I began to appreciate it. To me, the symphony has a very raw sound, as if it was composed by Mother Nature herself. It's one of those works that you have to try to listen to "at face value", without any pre-conceptions. In any case, there are some stunning parts to in this work, and I definitely think it should be given a chance along with all of Mahler's other output.